Prof. Dr. Y. Thaweesak King Mongkuts University of Technology Thonburi, Thailand
Prof. MAEDA Kazuaki Full Professor CHUBU UNIVERSITY Matsumoto-cho, Aichi, JAPAN
Asst. Prof. Saba Yunus Mahila Mahavidyalaya P.G. College, Kanpur, India
Assist. Prof. Siamak Haji Yakhchali Univesity of Tehran, Iran
Prof. Dr. Nuno Alexandre Soares Domingues Instituto Superior de Engenharia de Lisboa and Instituto de Comunicação da NOVA (ICNOVA) FCSH-UNL (Portugal)
DR. HEMANTKUMAR P. BULSARA In charge - Management section, Applied Mathematics and Humanities Department, S. V. National Institute of Technology, Surat, India
Prof. Dr. Dinesh C. Sharma Professor & Head-Zoology, K.M. Govt. Girls P.G. College, Badalpur, UP, India
All Abstracts, Reviews, short articles, Full articles, Posters are welcomed related with any of the following research fields:
These areas represent the distinct core frameworks of each of the three disciplines.
The study of written, oral, and visual creative works, focusing on form, history, and interpretation.
Literary Genres: Poetry (epic, lyric, dramatic), prose fiction (novels, short stories), drama/theater, and creative non-fiction.
Literary Movements and Eras: Classical, Medieval, Renaissance, Enlightenment, Romanticism, Realism/Naturalism, Modernism, and Postmodernism.
Literary Theory and Criticism: Formalism, Psychoanalytic criticism, Marxist literary theory, Feminist and Queer theories, Postcolonialism, and Deconstruction.
Narratology and Poetics: Narrative structure, point of view, characterization, symbolism, meter, rhyme, and figurative language.
The scientific study of language structure, development, and usage.
Phonetics and Phonology: The physical production of speech sounds (articulatory phonetics) and the cognitive patterns of sounds within a language.
Morphology and Syntax: The internal structure of words (roots, prefixes, suffixes) and the rules governing sentence structure and grammar.
Semantics and Pragmatics: The literal meaning of words and sentences, and how context influences meaning in real-world communication.
Historical Linguistics: Language evolution, sound changes over time, language families (e.g., Indo-European), and etymology.
Sociolinguistics: How language varies based on social factors like region, class, gender, ethnicity, and dialect.
The academic, non-confessional study of religious beliefs, behaviors, and institutions.
World Religions: Comparative study of Major traditions—Abrahamic (Judaism, Christianity, Islam), Dharmic (Hinduism, Buddhism, Jainism, Sikhism), and East Asian (Taoism, Confucianism, Shinto).
Indigenous and Tribal Religions: Oral traditions, shamanism, animism, and localized ritual practices across the Americas, Africa, and Oceania.
Philosophy of Religion: Arguments for and against the existence of God, the problem of evil, the nature of the soul, and the relationship between faith and reason.
Sociology and Anthropology of Religion: How religious institutions shape societies, the function of rituals, and the transition from sacred to secular cultures.
These fields represent the vital intersections where literature, language, and religion merge to shape human culture.
The intersection where religious scriptures are analyzed using literary tools.
Biblical and Qur'anic Poetics: Analyzing the narrative structures, poetic meters, and rhetorical devices used in the Hebrew Bible, New Testament, and Qur'an.
Mythology and Epic Literature: The study of ancient religious narratives—such as the Epic of Gilgamesh, the Iliad, or the Ramayana—as foundational literary and religious texts.
Hermeneutics and Exegesis: The historical and philosophical methods used to interpret religious texts, transitioning from strict literalism to allegorical readings.
How religious identity shapes language use, and how language preserves religious tradition.
Sacred and Liturgical Languages: The preservation of dead or archaic languages for religious rituals, such as Classical Arabic, Sanskrit, Ecclesiastical Latin, and Biblical Hebrew.
Theology of Language: Religious concepts regarding the divine origin of speech, the power of spoken words (mantras, incantations, blessings), and the limits of human language in describing the divine.
Language and Religious Identity: How specific dialects, scripts (e.g., Cyrillic vs. Latin), or vocabulary choices serve to distinguish or unite religious communities.
How religious concepts continue to permeate artistic and literary expression, even outside of formal theology.
Theodicy and the Problem of Evil in Fiction: How writers use the novel or drama to explore suffering and divine justice (e.g., Dostoevsky's The Brothers Karamazov or Milton's Paradise Lost).
Religious Allegory and Symbolism: The deep roots of religious imagery in Western and Eastern literature.
Secularization and Existentialism in Literature: Twentieth-century literature exploring the "death of God," spiritual alienation, and the search for meaning in a secular world.
The immense linguistic, literary, and theological challenge of moving text across cultures.
Scriptural Translation Challenges: The linguistic difficulties and theological controversies of translating sacred terms (e.g., translating the Greek Logos or the Sanskrit Dharma).
Cultural Translocation: How translating a text alters its literary reception, political impact, and religious authority within a new linguistic population.
Lorem ipsum dolor sit amet, consectetuer adipiscing elit. Donec libero.
2 hour agoLorem ipsum dolor sit amet, consectetuer adipiscing elit. Donec libero.
3 hour ago
For any type of inquiry and support,
you may send an email to
cs@hssmr.org
Copyrights © 2025 ICEHM. All Rights Reserved.
